Photographers


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 Give it up for Aunt Doll! Sharing her Aunt's realness with the rest of us in a rather fabulous fashion, Michelle Maguire, a photographer and prop stylist based in Columbus, Ohio, has published a "small-edition artist's book featuring eye-popping, hand-printed images of my blunt, funny, completely unimpressed Italian-American great-aunt, Doll, with colorful Aunt Doll anecdotes by my husband Aaron Beck."

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"Aunt Doll, age 84, has lived in Canton, Ohio, her entire life. She cusses, loves cured meats, knows more about the NFL than you do, plays strip mall slot machines with her vegetarian hairdresser of 42 years, isn't trying to be funny but is, worships the sun from her concrete-slab patio, and frets about nothing except her beloved Italian bread causing her to pack on the pounds."

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"Aunt Doll makes the most if it. The gist of her story: enjoy every chicken wing while you holler at the Browns on your gigantic analog TV, because we aren't here forever. She'll cuss you out in one breath and in the very next, offer you a salami sandwich."

Definitely good value and Michelle is also making the most of it over on her website in the Salami Dreamin' pages.

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All images © Michelle Maguire

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"Stories of survival, joy and despair from a 141-year-old institution."

Tom Price is a British photographer who is currently living and working in India. His work "...is people-centred, with a focus on inequality and empowerment, especially in women and children." And he's jolly busy at it, too. 

'Pass between the front of the Kolkata Municipal Corporation and the huge bowler hat that perches on top of the gate to Charlie Chaplin Park, take a right onto Hogg Street and curve round until you get to the narrow entrance of what appears to be a darkened alley. Step inside, you've just entered the 141-year-old Sir Stuart Hogg Market, known locally as New Market.'

According to Wikipedia "By the 1850s, British colonists held sway in Calcutta and displayed increasing contempt for the "natives" and an aversion to brushing shoulders with them at the bazaars. In 1871, moved by a well orchestrated outcry from English residents, a committee of the Calcutta Corporation began to contemplate a market which would be the preserve of Calcutta's British residents." 

Despite two fires and regular flooding the market continues today, with 2,000 stall holders selling everything from furniture to flowers.
 
Tom is also a pretty great writer - check him out on Medium.

Also don't miss his weekly "postcard

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All images © Tom Price

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Documentary photographer Adam Reynolds has focused his attention on the Middle East and here brings us a glimpse at the ubiquitous Israeli safety shelter.
 
"Since its creation in 1948, the State of Israel has felt itself isolated and beset by enemies seeking its destruction. This collective siege mentality is best expressed in the ubiquity of the thousands of bomb shelters found throughout the country. By law all Israelis are required to have access to a bomb shelter and rooms that can be sealed off in case of an unconventional weapons attack. There are over 10,000 public and private bomb shelters found throughout Israel and the Occupied Territories."

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I was reminded of stories about London in the Blitz - the London Underground was my parents' bomb shelter. No beauty treatments or couches down there. 

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Besides his photojournalist qualifications, Adam holds a Masters degree in Islamic and Middle East Studies. Smart!

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All images © Adam Reynolds

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"I'm a SAD GURL because I am a mermaid that has been stranded on land, and on top of that I'm being forced to "grow up" when that's clearly a terrible idea." - Annie © Sam Lichtenstein and Jess Williams // SAD GURLZ 

 On a cool Friday night in April, in Brooklyn, myself and a bunch of my photo cohorts gave up another evening for the greater photo cause - this time for ASMP's student reviews. There was a variety of photography to look at, and only 10 minutes to talk about it with each person so I was concerned when two youngsters sat down to be reviewed together. But Jess and Sam, aka the founders of the SAD GURLZ project, lit me up with their refreshing attitude, their confidence, their looks, and their collection of SAD GURLZ who have been invited to submit a statement about a particular reason they haz sad, and have some of their bits and pieces photographed. 
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"I'm a SAD GURL because my cognitive psych professor said that if aliens do come to visit, they'll kill us." - Haley

It can be tough reviewing students, especially when they are from all different schools and at different levels, with some not seeming to have been given any guidance. I was convinced during my first review that Taylor Swift must have been standing behind me as the young man's eyes wandered incessantly.
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"I'm a SAD GURL because I'm such a fangirl at heart but The Beatles and the Beach Boys broke up so I have nothing to take my top off for." - Paulina
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"I'm a SAD GURL because I want to go to Med School but I spend all of my time drinking Budweiser and sleeping with NYU frat boys." - Carlie

Jess and Sam seemed far from sad as they showed their book and beamed about their project. They are infectious and besides which, the series is an insight into the minds of today's young women. I have spent much time thinking what I would have said to them.
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"I'm a SAD GURL because love doesn't exist. It's not just sunshines and rainbows. It's all fucking heartbreak." Original SAD GURL Jess
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"I'm a SAD GURL because at this point, it's easier to be single than deal with fuckboys." Original SAD GURL Sam.

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Not so SAD! Jess and Sam © aCurator


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© Frédéric Moreau de Bellaing, 1995

 After making two trips to the West Bank twenty years apart, Belgian photographer Frédéric Moreau de Bellaing has collected his photographs into a book, titled "Lueurs d'espoirs / Glimmers of Hope." The book shows de Bellaing's travels through everyday life in both 1995 and 2015.

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The book includes an essay by Leila Shahid, Palestine ambassador in France and then Belgium for the last 20 years. 
Here is Frédéric's own statement:
"When I present this project, the same question comes back again and again: "Why Palestine?" Of course there is my indignation against oppression but, rightly, some respond to me that the Palestinians are not the only ones suffering. As often in this case, it is the personal journey that makes the difference.

The first intifada broke out in 1987. I was 16 years old. TV screens fed me up me with pictures of teenagers fighting with stones against heavily armed soldiers. I was shocked but the media release their floods of dramatic images all day long drowning indignations in an ocean of bad news.

Two years later when I began high school, I met Mina Shamieh. He was Palestinian and student like me. He was a warm person and his smile was disarming. We quickly became good friends. Until then, the Palestinian issue was but a media abstraction. Through my friendship with Mina, it took human shape.

The media feed us with pictures which are sometimes sensational but generally disconnected from human touch and identification to the Palestinian people has, for too long, take shape through empathy for their suffering.

To overcome this cathodic anesthesia, we must awaken the sympathy and empathy, in other words, we must become human.

With "Glimmers of Hope", I hope to convey the warmth and the desire to live which inhabit the Palestinian people.

To you, Mina, my old friend, with whom I have enjoyed sharing the small pleasures of everyday life."

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Above: images from 1995. All © Frédéric Moreau de Bellaing

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Images from 2015. All © Frédéric Moreau de Bellaing

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Slick Rick grabbing his crotch © Janette Beckman

This original photograph is by Janette Beckman. Beckman photographed Slick Rick in her studio in 1989. When your photographs become iconic, other, less talented artists attempt to hitch their wagon on to your artistry. Let it stand for the record: this is © Janette Beckman. Accept no substitutes.

Here is the only remix of her original Slick Rick photograph that Beckman has endorsed:

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Slick Rick © Janette Beckman was remixed by Morning Breath and is available as a limited edition print.

Now you can own a limited edition shiny version! Selling like the proverbial hotcakes over at 1xRUN are "10 x 20 Inches Archival Pigment Print on Satin Silver Aluminum Sheet." Go!! 

Here is the original contact sheet from the photo shoot:

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Erika Huffman makes quietly beautiful, unfussy portraits. Sometimes with adults, sometimes with kids, always with peace. Until now, as she shatters the serenity with this portent of violence. 

aCurator fans know that it's unlikely for me to say this: Erika makes gorgeous photographs of her son. Check them. Also: Henriette.

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Warmth © Meggan Joy

We might all be taking photos of just about bloody everything, all the time, but not everyone then laboriously makes one story out of literally thousands of them. Meggan Joy embarked on a marathon digitization of her daily shots.

"A couple years ago I started to slowly collect individual pieces of the world around me. The orange placed before me for breakfast, I took a photograph before I ate it. The leftover flowers from a friend's wedding were quickly shot the day after. The empty nut found while walking my dog, captured and left in its place... I started pulling these images together into one single form. And after working on the project irregularly, in the early winter of 2016, I finished; almost 2 years after starting." Phew!

Please also check out Meggan's more serious project "She."

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This is a sweet and gentle observation by Nicholas Pollack, a recent MFA grad whose project featured here, 'Nothing Gold Can Stay' was nominated for the 2016 ICP Infinity Award. He is also a contender for the upcoming Featureshoot Emerging Photographer Award.

"Nothing Gold Can Stay is a body of work about the fleetingness of youth. My photographs of the boys of Branch Brook Park in Newark, New Jersey describe this ephemerality, and through these photographs I intends to access a sense of memory and vulnerability to create an experience of love amid life's chaos and uncertainty."

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All images © Nicholas Pollack


918 by Santolo Felaco

Do something funky with your photos! This cheered me up on a dull day. Thanks to Italian artist Santolo Felaco for making me happy. (You might want to turn the volume down a smidgen.)

"The office is the place where many people spend at least a third of their day; where human relationships are established, anxiety developed, and the need to escape created. This photographic project took place in an office and in outdoor spaces adjacent to it. What results is an apparent altered representation of reality because the images do not directly describe the environment but they use a metaphorical language to tell what else lurks in regard to this microworld.

Each quadtych is made up of a combination of minimal pictures that are almost like words, they are linked to each other to compose a message. One of the objectives was to leave the viewer a lot of freedom of interpretation. Many quadtychs are designed and combined to communicate something specific, maintaining a polysemantic feature. I often played on the indoor and outdoor relationship, of what I call "the escape instinct": often you want to escape as soon as possible from the workplace, sometimes even just for a break. The office and the outside world that immediately surrounds it bind almost to form a continuous space. 

These and others are the issues dealt with, but I think I've already said too much, if I preferred words to pictures, I would have become a writer rather than a photographer."

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