"I first came across the Alberta tar sands on assignment for WWF in 2007 and again in 2009 on several trips on behalf of Greenpeace. My first impression of the industry in northern Alberta was one of grandiose developments, in a negative sense of the word. Mining and energy extraction are never pretty, but the scale and pace at which big oil is operating in Canada is truly staggering. How could it be that Canada, widely regarded as a friendly, environmentally conscious and 'nice' country condones such destructive projects in its own backyard?
One answer I found whilst talking to people was cultural: whilst most Europeans, and indeed many peoples around the globe live with a notion of resource scarcity, Canadians apparently take the opposite approach: abundance. The mining pits, steam and upgrader plants north of Fort McMurray are truly gigantic, the impression of a stinking moonscape poisoned with toxic tailings and the sounds of cannons designed to scare off migratory birds apparent to anyone who ventures half an hour north along Highway 63. How on earth would anyone in their right mind condone this doomsday scenario?
Apparently, Canada has plenty of it all, and wasting an estimated 10% of its boreal forest, one of the last prime forests left on the planet, is not an issue. In my own cynical mind, this scene would have not surprised me if it had been in say Nigeria, Azerbaijan, Kazakstan, Bangladesh or any other place governed by big oil - I have seen similar sights in other parts of the world - but to witness this in the First World, where one would assume the existence of a functional society with a healthy respect for civil rights, for its environment and its people, was humbling.
You can take a view on the destruction of the land, the size and scale of things to come in the next decades - the projects already designed, approved and underway will occupy an area the size of Florida. However, the province of Alberta alone is roughly equivalent to the size of France: if you take off from Calgary, you'll fly for at least two hours before reaching Fort McMurray, the epicentre of oil development, and you're still in Alberta. To sacrifice a proportion of that for petrodollars, jobs and prosperity is an obvious and well-rehearsed choice seen the world over.
However, what got me most is the blatant disregard for the people living downstream from this deadly industry: Canada's First Nations. Gentle, soft-spoken, patient, suffering, yet by and large indecisive, they are the true losers here. Several communities living along Lake Athabasca have been ravaged by cancers unheard of before oil developments began on a large scale. Their water is not safe to drink; the numbers of fish, migratory birds, moose, bear and other wildlife have shrunk and are no longer safe to eat; their ancient way of life seems to be over for good. I find it hard to accept and reconcile this with the notion of the democratic, First World government that Canada claims to have - this scenario feels more at home in the darkest periods of colonization many of us have hoped were condemned to a chapter in the history books.
I hope that the images I present will give you a notion of how alive that history still is today."
- Jiri Rezac, July 2010
View the magazine photo feature.
© Jiri Rezac
ADD THIS 
Jiri Rezac proposed his tar sands story to me shortly after the magazine launched, from London where he's based, and it was obvious the story would make a fascinating full screen photo feature. We met for coffee in New York during a brief pause in his schedule and nattered for as long as we could. He was shooting a green technology project in Mumbai, Shanghai and Hong Kong and about to nip off to Brooklyn for a portrait. Since we met, I've realized how little I know, and how little I do. Jiri has barely been at home and I was wide-eyed learning that he was off on the Rainbow Warrior for two weeks with Greenpeace. He's a workhorse, and a really sweet and humble man. © Jiri Rezac
Greenpeace 1 - Israel 0
"In the spirit of the current world cup fever, my good friends at Greenpeace scored the first goal this morning by stopping a coal shipment into Israel. Boarding the 290 metre long Orient Venus at the crack of dawn, the operation went smooth as clockwork: three activists were on board within minutes, and pictures travelled to the world's media without a hitch in time for the breakfast news in Europe. Life could hardly be better here on board the Rainbow Warrior right now..." Jiri Rezac, July 8, 2010
All images © Jiri Rezac
In a quite brilliant move, the ICP archives have created a Google map not only of all the locations where Weegee took photographs but including a clip from the newspaper. There is tons of other interesting stuff at ICP's 'Weegee's World' including photos, audio and a searchable database, but this is genius.
"Firemen William Murawski and William Miller went to the rescue of this cat when it wedged itself between the walls of the buildings at 51 and 53 Barclay St.
PM Daily, Oct. 6, 1942, p. 19"
Have fun!
As a reaction to Guiliani whitewashing Times Square and cleaning up NYC nightlife, Neo-Burlesque emerged as a force. My client Leland Bobbé has been photographing the performers and is working on a book about them.
Leland knows how to capture a personality in a single frame and this skill works so well with his burlesque photographs. There are other photographers working on burlesque projects, but personally, I find Leland's work more tasteful, engaging and empowering than either Henry Horenstein (may I never see that fishnetted backside close-up ever again), and Miami Celebrity Photographer Brian Smith.
Dirty Martini © Leland Bobbé
Jonny Porkpie © Leland Bobbé
Marissa Roth is a wonderful photojournalist and old friend. Quietly and unassumingly she puts herself in front of hard news: a coup in the Philippines, the LA riots, Kosovar Albanian refugees, photographing humanity in her own moving and deeply respectful manner.
On Friday, July 9th, the Museum of Tolerance in LA will host the exhibition opening for Srebrenica: Then Is Now, Fifteen Years After the Massacre, photographs by Marissa Roth.
July 11, 2010 will mark the 15th anniversary of the 5‐day massacre of over 8,000 Bosnian Muslim men and teen‐age boys after the fall of the Srebrenica enclave near the end of the war in the former Yugoslavia. During two extended trips to Bosnia and Hercegovina in 2009, photojournalist Marissa Roth went to Srebrenica Municipality and related areas to meet and photograph a number of women directly affected by the massacre and the war. The exhibition will remain on display through August 3rd.
Burned out homes, Srebrenica municipality © Marissa Roth
In the fall this year the Cantata Singers begin their Ralph Vaughan Williams season in Boston. "Cantata Singers inspires, engages, and challenges listeners through daring juxtapositions of music old and new, compelling programming, and exceptional artistry." 
"Alberta's tar sands are arguably the world's most destructive energy project in progress today. Being Canada's main economic driver, and a favourite source of 'safe' energy for its big neighbour down south, the tar sands are a hotly contested issue between the provincial and national government, environmental groups and the indigenous people of Canada who by and large are opposed to the breakneck speed of oil industry developments.
Stretching from the town of Fort McMurray northwards and as far as Peace River to the west, the confirmed deposits of bitumen in the ground take up an area the size of England. To date, only three to five per cent of the existing deposits are being mined or extracted, by inserting high-pressure steam into the ground. Turning bitumen into synthetic crude oil is no easy task: it requires vast amounts of energy and water, and the yields have only become viable with an exploding per-barrel oil price. For thousands of years, Alberta's prime resource has lain idle in the ground, oil companies patiently awaiting their turn until prices went rocketing in the last decade. The once sleepy town of Fort McMurray has been turned into the new frontier of the latest gold rush, absorbing the gains and ills that come with it: rapid growth, high prices, a huge influx of workers, crime, drugs and pollution. Walking down the bland main drag of the aptly nicknamed 'Fort McMoney', you can't help but notice that anybody who is anybody in the oil business has set up camp here: Shell, Total, Chevron, Syncrude, Suncor, CNRL, BP, Husky, Statoil and numerous others have bought up leases to extract the black gold from Alberta's land.
This comes at a high cost, both in terms of investment and natural resources as well as to the environment and the people who live there: the divisive issue is one of land rights and health concerns of Canada's First Nations who live downstream from the tar sands. Is Canada to respect aboriginal land rights, as enshrined in their treaty with the Crown over a hundred years ago which grants the First Nations the freedom to hunt, fish and trap according to their ancient ways? Or is it more interested in oil developments with their consequential destruction of the boreal forest, bringing of employment, and ultimately, money?
For many years, the First Nations in northern Alberta have been complaining about grave health concerns and unusually high cancer rates in their communities - a concern apparently not shared by the Province of Alberta. On another level, several First Nations have begun to legally challenge the status quo and the sale of their lands to oil companies. It is a fight that is synonymous of the classic David vs. Goliath: small and mostly poor communities on the one side; big oil, government, and heavyweight lawyers on the other.
One thing is for sure: the future is set to be challenging, and a mighty struggle is looming."
- Jiri Rezac, July 2010
Get Off My Lawn is a 48-page photo-zine, edited and published by photographer Geoffrey Ellis. The zine features the work of eleven photographers who are 34 years and older*. Get Off My Lawn is a tongue-in-cheek response to the calls for entry, contests and publications that require "emerging photographers" to be somewhere between the ages of 18 and 34.
There are 222 hand numbered copies and each of the 11 photographers has their own cover.
'Waiting' © Jennifer Loeber
*Yousuf Karsh would say, you may have a camera and eyes, but until a certain age, you don't really see.
Manjari Sharma's Shower Series was probably the most talked about by the reviewers at the end of ASMP's fine art portfolio review in May. Her bathroom confessionals really stood out and Manjari spoke about the personal project with true passion, being amazed herself at how her subjects had let go once the water hit them.
"Secretly I have been told by my subjects that it is thrilling and adventuresome to be in my shower; Secretly cheating my traditional and tame Indian upbringing I live through all of my subjects; Fighting their wars and braving their fears for those few hours where we are connected through this pious space."
Fast forward just a few short weeks and not only has she received a lot of press, she won a commission to shoot an ad campaign for Grohe.
"Custom showers were built in a studio and a series inspired by my personal project was recreated in New Delhi. Ten Indian models were selected for the shoot and the result is currently being used on billboards in several cities in India."
So there you have it: follow your passion, shoot what you love, devote time to personal projects and then present them eloquently, to as many people as possible.
See behind the scenes on Manjari's blog.
From the original 'Shower Series' © Manjari Sharma
From The Guardian: Two journalists in London have received a payout from the Metropolitan Police after the Met admitted failing to respect the freedom of the press during a protest at the Greek embassy in London in 2008. In this disturbing video one cop taunts the photographer like a school kid as he's yanking the guy's camera off his neck, and later they mutter "scum" under their breath.
In letters sent to the journalists, the force said "The [Met] confirms its recognition that freedom of the press is a cornerstone of democracy and that journalists have a right to report freely. [We] recognise that on 8 December 2008 they failed to respect press freedom in respect of Mr Vallée and Mr Parkinson." Both men received £3500 in compensation.
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