Pigeon Fright, Italy, 1956
'Europe in the Fifties. Through a Soldier's Lens' is a book of photographs by Bill Perlmutter, a soldier with the US army who traveled through Europe beginning in 1954. The photographs were presented for the first time earlier this year by the German house of seltmann+söhne who are thrilled to announce that the book just won silver in the prestigious Deutscher Fotobuchpreis. You can buy a copy of 'Europe in the Fifties
' directly from them, for 40 Euros. Nice Christmas present if anyone's thinking of getting me something.
G.I. baby, Germany, 1955
"It all started in December 1954, when the then 27-year old soldier boarded a troop carrier to Germany, to start his new assignment as a photographer for the U.S. Army magazine. The first images from Perlmutter's Rolleiflex originated during the rough Transatlantic passage. Even though he had never left his home country and was a bit apprehensive about his future, Perlmutter was "looking forward to photographing Europe and visiting all those wonderful places that I had read about and seen in the movies."
Almost 60 years after the images were conceived, they clearly document the photographer's sense of the special moment. Every single image becomes a lively piece in the puzzle of remembrance, reporting accurately on the historical period, but also capturing very personal encounters. His insightful work has a long lasting effect, way and allows those pictures to come alive. Again and again. Even after all those many years."
Street Musicians, Paris, 1955
Woman Reading in the Park, Paris, 1956
Open Wide, Germany, 1955
A Kiss on the Hand, Paris, 1956
Man With Dark Glasses, Italy, 1956
Bill Perlmutter was born in New York on September 5, 1932. He began his career with a Bachelor of Arts in Motion Picture Techniques from the City College Film Institute in New York. In 1954 after graduating from the United States Army Photography School, he spend two years in Europe as a staff photographer for the U.S. Army newspapers based in West Germany. Since then he traveled extensively all around the world as a free-lance photographer. From 1978-1997 he worked as the Vice President of Rainbow Chromes, a company specializing in photographic and digital retouching.
Many thanks to seltmann+söhne
for providing such great images for press. Glück!
I was invited to judge the second Latin American Fotografía and Ilustración
competition for AI-AP this year, and chose a selection from across both the 'Selected' and 'Chosen' winners to publish in the magazine
. Winning images were exhibited at the annual AI-AP party earlier in November, and will be part of a traveling exhibit in 2014. There was an interesting variety of work as I expected, and I liked the simplicity of the judging process and the fact that so many images were given a nod.
I am now on competition-judging hiatus until further notice.
was born and raised in China, and is now living in New York. 'Package from Home' is a nicely-executed, easy-to-consume, perfectly-encapsulated photo project, to which many of us can relate - especially in NYC where about 1 in every 2 of us claims to be an ex-pat.
Mum's favorite soup
Chen tells the story: "In the summer of 2011, during my cousin's pregnancy, we got a package from home, which was filled with various necessities for her puerperal period. Not long after that, one night, I had a dream. I am not the type of person who dreams very often. In the dream, two of my front teeth fell out with the teeth in my hand, unceasing tears flying away, I recalled the doctor told me a couple of months ago in reality that if I didn't do a full examination of my left eye, and know what the problem is, I might lose my vision forever. So I started running, running, until the tears washed me back into the reality."
Still Life with Herb and Plastic Bag
"I would not have this project if I hadn't opened the package after I had the dream. When I was unsealing it, it wasn't the act of opening an almost smashed box, but the feeling that was unfolding my memories, all the emotions, happiness, past, sadness, all the connections that I had with my family and homeland. I wanted to break the geometry boundary between my small family in America and big family in my country. Adding the props from the house in the U.S. allows me to live in the imagination that we are still together, nothing can cut off the root, and we are tangled up as a family until it doesn't matter whether it is the transient moment or longer than that."
Stil Life with Hair, Garlic,Ginseng
"I was born in 1980, in Tirana, Albania. My family lived near the Enver Hoxha residence, (the Communist leader of Albania from 1944 to 1985), the most developed part of the city, during that time. I remember the beauty of that place: the parks, the shops, well-dressed people strolling around. When I turned 11, we came to Greece because of the political, social and economic situation that my country was going through.
Albania is a small country in the heart of the Balkans. Despite its rich culture, people outside do generally not know much about it. It is also my homeland, the place of my early childhood. I grew up separated from it, and returned later to pick up the threads that were left behind. What I found was modernity and tradition living together. I traveled a lot and started to know my birthplace, the people, their mentality, and their traditions. I felt very welcome, and was fascinated by all the people I met. They were kind, friendly and curious about my work.
I made this journey together with my wife. When people realized we were a couple, they were very open, they welcomed us inside their homes and extended wishes, blessings and congratulations. Marriage is very important in Albania. Everyone has to get married, it is considered to make men stronger and more respected in society.
In this photographic project I would like to show the everyday lives of Albanian people - the big picture, as well as the small, seemingly insignificant moments. What impressed me most was the strong family union, the connection among people. I found it everywhere - in married young couples and their babies, at a funeral ceremony where relatives shared their pain, at a wedding party, or when a son accompanied his father at work. I didn't see any lonely people."
A Man Feeding Swans in the Snow © Marcin Ryczek. 1st Place winner in the Landscape/Seascape/Nature category
I was honoured to be invited to be a juror again for year two. This year I was in the company of photographer Hiroshi Watanabe; Director of Galerie Camera Obscura, Paris, Didier Brousse; author, curator, and former Chair of the Department of Photography at The Art Institute of Chicago, David Travis; Anne Biroleau, Curator of Photography, Bibliothèque Nationale de France; and Alexandre Percy, Director of ACTE2 Galerie, Paris. The competition was sponsored by the Paris-based DeGroot Foundation. The Grand Prix de la Découverte winners' prizes included a trip to Paris for the opening of the exhibition; each won cash, are exhibited at Paris Salon de la Photo, and have been accepted into the prestigious collection of the Bibliothèque Nationale de France
. C'est magnifique!
make pocket photobooks - collectable little marvels, costing £5. One of their current releases, 'Ghost Ships,' features images made in artist Simon Jones' old house and "takes us on a voyage of discovery through frayed carpets and other domestic hazards."
Jones makes "photographic artworks about memory, which usually involves the creation of small dioramas captured on location with a single exposure."
Along side the books, Aglu offer small-run limited edition prints. They publish six books per year and are interested in submissions.
has been working in India for the past two years on a series of beautiful portraits of Tibetan refugees and nomads, large-scale prints from which are on show at Sous les Etoiles Gallery
in Soho, New York, through November 30th, 2013.
David says: "Much of my work for the past fifteen years focuses on issues of human survival, and adaptation in the aftermath of catastrophic events. The causes of these events are varied - from economic hardship in the southwest US, to the 2010 oil spill in the Gulf of Mexico, to northern India where 100,000 Tibetans have fled Chinese occupation."
"I have lived and worked in India for many years, and this past year, along with my wife, founded the Himalayan Art Centre - a free school teaching photography and visual storytelling to underserved regions of the southern Himalayas. The Art Centre in north India will also serve as a meeting and workshop space for visual artists and writers from around the world."
I really like these new images from Patrick Fraser
, whose series 'Parada
' I published earlier this year. Wanting to shoot something other than people, for a change, Patrick worked with a food stylist, Maggie Ward, to set up the fun, fresh photos. Using large format film he photographed them once, then left them in his garage for six months before shooting them again with the same set-up.
"Ultimately I was just making a metaphor for life and time passing in a simple photographic essay."
Breezy Point, Queens, November 4, 2012 © Natan Dvir
Over the course of five days beginning October 22, 2012, a storm developed in the Caribbean Sea that would ultimately kill at least 286 people in seven countries. Hurricane Sandy hit New York on October 29, and New York-based Natan Dvir
photographed the immediate aftermath. The Weather Channel
recently sent Natan back to the exact locations, at similar times of the day, to show what has happened since.
Some of Natan's photographs are on show as part of 'Rising Waters
,' an exhibition on now through March, 2014, at the Museum of the City of New York.
Award-winning photographer Natan Dvir
was born in Israel, and now lives in New York. He "focuses on the human aspects of political, social and cultural issues." Dvir is widely published and exhibited in the US and abroad.
Peter Turnley's new book of 40 years of moments of love.